Comments Off on FIRST LOOK images released for Bergerac Series 2 on U and U&DRAMA
As filming wraps on the highly anticipated second series ofBergerac(6×60’), UKTV today unveils a selection of first look images showcasing a glimpse of the Jersey locations and the new cast members joining the original ensemble. Following its record-breaking debut earlier this year, the hit U&Original drama, produced by BlackLight TV, part of Banijay UK, in collaboration with Jersey-based Westward Studios and with support from Visit Jersey, is set to make a triumphant return to U and U&DRAMA in 2026.
Damien Molony (The Split, Brassic, Crashing) returns as the complex Jim Bergerac – a brilliant detective grappling with life as a recovering alcoholic and widower. He is joined once again by Zoë Wanamaker (My Family, Shadow and Bone, Black Ops) as Charlie Hungerford, Robert Gilbert (Big Boys, Killing Eve) as Barney Crozier, and Chloé Sweetlove (The Crow Girl, My Husband’s Double Life) as Kim Bergerac.
New cast members include Adrian Edmondson (Rain Dogs, A Spy Among Friends) as Nigel, a charming new presence in Charlie’s life, and Lesley Sharp (Red Eye, Before We Die) as Monica, mother to Michael played by Turlough Convery (Sanditon, Killing Eve) and Nicola played by Camilla Beeput (The Tower, Hijack).
Series two will see Jim Bergerac (Molony) starting to put his life back together, while his mother-in-law Charlie Hungerford (Wanamaker) has a new man in her life. Jim’s even tentatively dating, with Kim’s (Sweetlove) encouragement, although it’s a big step for him. But then he meets Nicola (Beeput), a visitor to Jersey, and they connect. Could this be the start of something for Jim?
However, before the relationship even has time to blossom, Jim is pulled back into his next big case. When the groom at a wedding reception on the island is found murdered in his hotel room, the wedding party comes under intense suspicion and scrutiny. Jim will have to decipher the victim’s cryptic last words from his speech if he is ever going to bring the killer to justice. And when Jim starts to unravel old secrets, more skeletons come to light, making this his most intricate case yet.
Written by Toby Whithouse (The Red King, Being Human), alongside Ashley Sanders, Emilie Robson, Faebian Averies and Brian Fillis, the series continues to reimagine the iconic 80s detective drama with a contemporary, character-led mystery that unfolds across all six episodes.
Bergerac has been commissioned by Helen Perry, head of drama commissioning, and ordered by Emma Tibbetts, director of programming, scripted and Hilary Rosen, director of commissioning for UKTV. Executive producers for BlackLight TV (part of Banijay UK) are Ben Bickerton, Philip Trethowan and Toby Whithouse. Brian Constantine and James Ahier are executive producers for Westward Studios and Helen Perry will be executive producer for UKTV.
Banijay Rights will handle international distribution for the series, with Simon Cox, EVP Content & Acquisitions, also as executive producer.
Bergerac will return to U and U&DRAMA in 2026. Stream all episodes of the previous series for free on U.
Comments Off on New Landmark Channel 4 Documentary Series Cancer Detectives: Finding the Cures will explore the pioneering research that could transform the future of cancer detection, treatment and prevention
Channel 4 today announces Cancer Detectives: Finding the Cures, an observational documentary series that will explore the pioneering research that could transform the future of cancer detection, treatment and prevention.
The 3 x 60-minute brand-funded series, produced by Dragonfly North (part of Banijay UK) from its Manchester base, is a new collaboration with Cancer Research UK that will take viewers inside what has been described as the “Golden Age of cancer research.”
It will follow Professor Sarah Blagden, who is developing a groundbreaking lung cancer prevention vaccine in what she calls a “once in a generation opportunity,” neurosurgeon and scientist Associate Professor Richard Mair, who treats patients with hard-to-treat brain cancers, and Professor Caroline Dive, who is working on blood tests to detect cancer before it shows up on a scan.
As well as following patients and families undergoing life-saving treatments, the series will also explore the personal backstories and motivations that drive these world-class scientists.
Jonah Weston, Commissioning Editor at Channel 4, said:
“Cancer Detectives: Finding the Cures shines a light on the groundbreaking scientific research currently taking place to detect, prevent and treat cancer. It has been great to partner with Dragonfly and Cancer Research UK on this series and see these amazing scientists at work, as they make amazing breakthroughs already benefitting patients in ways that would have been unthinkable only a few years ago.”
Will Rowson, Co-Creative Director at Dragonfly, said:
“This has been a fascinating and eye-opening series to make. We’re enormously grateful to the scientists who have let us into their worlds, to the wonderful hospitals doing extraordinary work and of course to the very special people who have shared their cancer journeys with us.”
Phil Almond, Executive Director of Marketing, Fundraising & Engagement at Cancer Research UK said:
“This series offers a powerful glimpse into the future of cancer research – a future where more people live longer, better lives through earlier diagnosis and kinder, more effective treatments. It shows how breakthroughs are already changing lives and highlights the people behind them. We’re especially thankful to the scientists, clinicians and patients who shared their stories. Their openness and experiences bring home what progress really means for those affected by cancer.”
Cancer Detectives: Finding the Cures was produced by Dragonfly North, Developed and Executive Produced by both Will Rowson and Paul Windle, Series Director was Nick Shaw and the Series Producer was Valerie Mellon. Director of Production and Operations Alison Seymour, Production Executive Isabelle Burn, Production Manager Rachael Fish, Legal and Business Affairs Nina Evans. Post Production by Home Post Production. It was commissioned for Channel 4 by Jonah Weston, Commissioning Editor, Specialist Factual.
Comments Off on Richard Gadd’s Half Man sent worldwide by Banijay Rights
Banijay Rights, the global distribution arm of content powerhouse Banijay Entertainment, today announces international sales for major new BBC and HBO scripted series Half Man as MIPCOM 2025 draws to a close in Cannes this week.
In deals negotiated across the Banijay Rights global sales team, the six-part series has been acquired by Stan in Australia and Bell Media’s Crave in Canada, following previously announced sales to HBO Max in Latin America and across a major European footprint, in addition to the co-production with HBO Max in the US.
Produced by Mam Tor Productions (a Banijay UK company) for the BBC, BBC Scotland and HBO, Half Man stars Gadd and BAFTA award-winning actor Jamie Bell (All of Us Strangers, Rocket Man) as ‘brothers’ Ruben and Niall respectively. Spanning almost 40 years from the 1980s to the present day, the series explores the highs and lows of Ruben and Niall’s relationship, from meeting them as troubled teenagers to witnessing their falling out as adults – with all the good, bad, terrible, funny, angry, and challenging moments along the way. Set to air in 2026, the series will capture the wild energy of a changing city – a changing world, even – and plumb the depths of what it means to be a man.
Cathy Payne, CEO, Banijay Rights, said: “Half Man is a bold and powerful new drama that exemplifies the very best storytelling and creative talent on our MIPCOM slate. These latest deals represent the incredible early demand for Richard Gadd’s highly anticipated series and we’re excited to extend its reach across new international markets.”
Patrick Holland – Mam Tor Productions / Executive Chairman Banijay UK, said: “We are thrilled by the international excitement around Richard Gadd’s new series from Mam Tor Productions. He is an exceptional talent and Cathy Payne and her team at Banijay Rights have been phenomenal partners. We can’t wait to unleash Niall and Ruben on the world!”
Half Man was commissioned by Lindsay Salt, Director of BBC Drama, and was produced in partnership with HBO. The series is created, written and executive produced by Gadd. Executive producers are Sophie Gardiner and Anna O’Malley and the series is directed by Alexandra Brodski (Somewhere Boy, Rivals) and Eshref Reybrouck (Ferry: The Series, Cheyenne & Lola). Executive producers for Mam Tor Productions are Tally Garner and Morven Reid, Gaynor Holmes for the BBC and Gavin Smith for BBC Scotland.
Starring in the series are Neve McIntosh (Tin Star, Chemistry of Death) as Niall’s mother Lori and Marianne McIvor (Screw, The Nest) as Ruben’s mother Maura, with Mitchell Robertson (Curfew, Mayflies) and Stuart Campbell (SAS Rogue Heroes, The Winter King) playing Niall (Robertson) and Ruben (Campbell) in their younger years. Rounding out the cast for Half Man are Charlie De Melo (Rivals), Bilal Hasna (The Agency), Julie Cullen (Traces), Amy Manson (The Nevers), Anjli Mohindra (The Lazarus Project), Tim Downie (Outlander), Tom Andrews (Feel Good), Philippine Velge (The Serpent Queen), Stuart McQuarrie (The Rig), Piers Ewart (The Primrose Railway Children), Scot Greenan (T2 Trainspotting), and newcomers Charlotte Blackwood and Calum Manchip.
Banijay Rights handles international distribution for Half Man outside of BBC and HBO rights. The series is supported by Screen Scotland.
Half Man is one of several scripted highlights on Banijay Entertainment’s slate for MIPCOM 2025, which includes love story Falling from writer Jack Thorne (Adolescence), and the re-imagining of iconic TV series, A Woman of Substance, based on Barbara Taylor Bradford’s best-selling novel. Both series are produced by The Forge Entertainment (a Banijay UK company) for Channel 4. Banijay Entertainment is exhibiting at C.20 at MIPCOM.
Comments Off on S4C GREENLIGHTS SECOND SEASON OF CRITICALLY ACCLAIMED THRILLER CLEDDAU (THE ONE THAT GOT AWAY)
S4C has commissioned a second season of the critically acclaimed psychological thriller Cleddau (The One That Got Away). Filming will begin in the Autumn, with the new series set to air on the Channel in 2026.
The emotionally charged drama is once again produced by Blacklight (part of Banijay UK) and distributed globally by Banijay Rights, the global distribution arm of content powerhouse Banijay Entertainment. The production is supported by the Welsh Government via Creative Wales.
Season one introduced audiences to DI Ffion Lloyd (Elen Rhys) and DS Rick Sheldon (Richard Harrington), ex-lovers forced to work together to solve the murder of a nurse in a quiet Welsh coastal town – an investigation that unearthed dark secrets from the past with devastating consequences.
Elen Rhys (The Mallorca Files) and Richard Harrington (Hinterland) will reprise their roles in Season two, which follows another complex, twisted and nail-biting case. When a body is discovered in Cleddau River the team suspect a killer is stealing identities and luring women to their deaths through a dating website – one that Ffion herself has been using as she tries to move on from Rick, despite the fact he is now separated and single…
Season One of Cleddau/The One that Got Away, premiered to strong ratings, and has become the channel’s #1 show of 2025. It was also a smash hit on BBC4 228% above BBC4’s slot average.
The Telegraph described Cleddau as “reminiscent of earlier Welsh noir series like Hinterland” highlighting its atmospheric depiction of West Wales and the nuanced performances of its lead actors.
The Guardian hailed the series as “an irresistible treat for thriller fans,” praising its mature handling of character relationships and the deft balance between psychological drama and crime thriller.
The series is created and written by Catherine Tregenna, whose writing credits include Three Pines, Law & Order: UK, Lewis, DCI Banks, andThe Bench.
Gwenllian Gravelle is head of Drama at S4C and says: “Cleddau struck a powerful chord with audiences in both Welsh and English. It’s a gripping and emotionally intelligent series that showcases the very best of Welsh talent, both on and off screen. We are thrilled to bring the story back for a second season and deepen the world that Cath Tregenna has so brilliantly created.”
Banijay Rights handles distribution for an English language version – The One That Got Away – for international audiences.
Comments Off on Banijay UK and Fudge Park Productions strike Inbetweeners deal Agreement paves way for the return of the iconic brand
Banijay UK and Fudge Park Productions, the company founded in 2015 by Iain Morris and Damon Beesley, writers and creators of The Inbetweeners, have struck an agreement which paves the way for the return of the hit comedy title.
The coming-of-age sitcom was originally broadcast on E4 between 2008 and 2010. It followed the misadventures of suburban teenager Will MacKenzie and his friends Simon Cooper, Neil Sutherland and Jay Cartwright at the fictional Rudge Park Comprehensive as they navigated school life, friendship, male bonding, lad culture and failed sexual encounters.
Over three series it set new ratings records for the channel and won multiple awards. Two hugely successful movies followed, released in 2011 and 2014 respectively. The first went straight in at No.1 in the box office and set a record for the biggest opening weekend for a UK comedy at the time of its release with the sequel also breaking box office records.
Made by Bwark Productions, the original company founded by Iain and Damon, which later sold to Zodiak Media (acquired by Banijay in 2016), this deal unlocks the rights and the potential to bring The Inbetweeners back for new audiences across a range of platforms including film, tv and stage.
Jonathan Blyth, Managing Director, Fudge Park; “We are thrilled to announce this exciting partnership with Banijay who share our vision and ambition for one of the most iconic comedies in British history. This is a wonderful moment for fans, there are exciting conversations afoot and more news to follow….”
Damon Beesley/ Iain Morris added;
“Incredibly exciting to be plotting more adventures for our four favourite friends (ooh friends).”
Patrick Holland, CEO Banijay UK;
“I have worked with Damon and Iain on a number of Fudge Park projects over the years and was delighted to pick up the conversation about the future of The Inbetweeners with them. They have an infectious creative vision for the brand which will resonate with audience old and new so I can’t wait to get going.”
Banijay Rights are distributors of The Inbetweeners.
Comments Off on Sky Reveals the Woman Behind The GC with new series, Gemma Collins: Four Weddings and a Baby (w/t)
Sky has teamed up with Gemma Collins for a brand-new series pulling back the curtain on her life as she enters a pivotal chapter: the road to marriage and motherhood.
This is the Gemma you haven’t seen before. The eight-part series produced by Navybee joins Gemma behind the scenes of her daily life for the next year, from glamorous events to quiet moments at home as she juggles a blended family, planning the wedding she’s always dreamed of and hopefully having a much longed-for baby of her own through IVF.
Best known for her magnetic personality and headline-making career, Gemma Collins is ready to take off the GC mask and show us the woman behind the persona, opening up for the first time on how her past has shaped the woman she’s become. She’ll share her hopes for a future as a mother, and the highs and lows of love, commitment, and the strength it takes to keep going under public scrutiny. This is a rare and unfiltered look at a woman embracing vulnerability, chasing hope and redefining happiness on her own terms.
Gemma Collins said: “This really is the most important year of my life, and for the first time people will get to see the Gemma behind the GC. Over the next year I will be planning my wedding and beginning the steps into starting a family.
“I’ve always felt natural in front of the cameras, but now I want to let the world see the real raw me sharing the most intimate and personal times in my life. I feel ready to truly open up, not just about the present, but about my past and everything I’ve been through to become the woman I am today.
“I feel truly blessed and excited for everyone to come with me on this new chapter of my life.”
Demi Doyle, Creative Director, Navybee (part of Banijay UK), said: “Over the years I’ve had the privilege of getting to know Gemma beyond the headlines and the glamour, and I’ve come to love her for her honesty, humour and heart. This brand new series will capture her at her most real and most vulnerable, as she steps into the biggest chapter of her life yet. We couldn’t be more excited to share this journey with her.”
Shirley Jones, Commissioning Editor, Sky said: “We’re thrilled to be working with Gemma on such an intimate and emotional journey. Audiences know her for her humour and sparkling personality, but this show will reveal a more personal side as she plans her wedding and embarks on the journey to start a family. It promises to be compelling, relatable, heartfelt, surprising, and of course, full of Gemma’s inimitable energy.”
Gemma Collins: Four Weddings and a Baby (w/t) is coming to Sky Max and streaming service NOW next year
Gemma Collins: Four Weddings and a Baby (w/t) is a Navybee production for Sky Max. The Creative Director for Navybee (part of Banijay UK) is Demi Doyle. The Commissioning Editor for Sky is Shirley Jones.
Comments Off on Remarkable Entertainment inks deal with The Arthur Conan Doyle Estate
Banijay UK label, Remarkable Entertainment, has signed an exclusive deal with The Arthur Conan Doyle estate to develop a non-scripted TV format idea that draws on the world of the famous detective, Sherlock Holmes. And they have developed a new reality competition called Arthur Conan Doyle’s Sherlock: The Detective Academy (w/t), with a view to taking it to both UK broadcasters and the international market.
The series will test players’ powers of deduction and logic as they attempt to solve puzzling crimes from the world of Sherlock Holmes.
Tamara Gilder and Cat Lawson, Joint MDs of Remarkable Entertainment, said: “Sherlock Holmes is the most famous literary detective of all time, so we’re absolutely thrilled to have signed this deal with The Arthur Conan Doyle Estate. What an incredible legacy of work – especially the Sherlock Holmes stories. His world offers a truly epic creative backdrop for the next big non-scripted competition. Our partnership opens the door to a rich universe of iconic IP. The Detective Academy (w/t) will immerse contestants in a visually stunning mystery world, where their powers of observation and deduction are put to the ultimate test. There is simply no greater figure in detective fiction – Sherlock Holmes defined the genre and continues to inspire new generations of armchair detectives around the world. Working in close collaboration with The Arthur Conan Doyle Estate, the guardians of Conan Doyle’s work and his incredible characters, including the world-famous detective, will ensure the format and its contestants are immersed in the most authentic world of Sherlock Holmes.”
Tim Hubbard, Creative Director and Global Partnerships at The Conan Doyle Estate, added: “The Game’s Afoot! One of Conan Doyle’s most iconic slogans within the Sherlock Holmes stories. It certainly is now! Remarkable Entertainment’s brilliant concept and dedication to the thrill of the game and dedication not only to the great detective, but to Doyle’s genius storytelling, plots and scene setting made this the absolute favourite for our partnership. The Sherlock Holmes stories revolutionized policing and investigation. Scientific method, forensic science, and deductive reasoning into crime-solving. His influence helped shift real-world detective work from intuition and guesswork to logic, observation, and evidence-based techniques. Can the contestants match the great Sherlock?”
The deal was negotiated by Emily Hayward Whitlock at TAP and Jon Wood at RCW.
“When you have eliminated the impossible, whatever remains, however improbable, must be the truth.”
— Sherlock Holmes, The Sign of Four (1890)
Comments Off on Banijay UK release findings of Gregg Wallace investigation
Following allegations of inappropriate behaviour by Gregg Wallace made by BBC News, The Telegraph and other media outlets, Banijay UK, producers of MasterChef and Eat Well for Less, commissioned leading UK law firm Lewis Silkin to investigate in December 2024.
Anyone wishing to discuss their experiences whilst working or appearing on Banijay UK produced shows was publicly encouraged to contact the investigation team in confidence via a dedicated email address which was widely communicated. Banijay UK and the BBC directed anyone with information or complaints to Lewis Silkin, who also proactively contacted a number of people who had made allegations to the press.
Over a seven-month period, the investigation heard 83 allegations against Gregg Wallace from 41 complainants – all relating to his time as a presenter on MasterChef.
Via an extensive process of interviews (the team spoke to 78 witnesses) and analysis of relevant documentation and unedited programme footage, the investigation substantiated 45 of the allegations against Gregg Wallace. Just over half.
The team were also asked to investigate allegations against other people involved with the productions, as well as to examine the process of making a complaint whilst working on the productions and the way complaints made were handled by both the production team and the BBC. The investigation spanned the period from 2005 to 2024.
A summary of headline findings are as follows:
45 of the 83 allegations against Mr Wallace were substantiated
The majority of the allegations against Mr Wallace (94%) related to behaviour which is said to have occurred between 2005 and 2018. Only one allegation was substantiated post 2018. (Banijay acquired Endemol Shine in 2020.)
The majority of substantiated allegations related to inappropriate sexual language and humour. A smaller number of allegations of other inappropriate language and being in a state of undress were also substantiated. One allegation of unwanted physical contact was substantiated.
There were also 10 standalone allegations about other people in relation to the period from 2012 to 2018/2019, 2 of which were substantiated
The investigation team found evidence that during the period from 2005 to 2024 6 complaints were raised with the production company and 6 with the BBC (4 of which had also been raised with the production company). More formal action was taken by the production company in 2015 and the BBC in 2017.
Prior to 2016 (when Endemol merged with Shine) the investigation found that there was little or no formal training or clear escalation procedures in place, leading to underreporting of inappropriate behaviour. The report found that freelance staff in particular often felt unable to raise issues due to concerns of potential impact on future employment. The investigation found that HR processes and training improved significantly post 2016 (when Endemol merged with Shine) and again in 2020 (when Banijay acquired Endemol Shine).
The investigation found that where concerns were reported to the production company, especially in earlier periods 2005 – 2011, they were often handled informally and on a case-by-case basis with no records of action having been taken, resulting in the effectiveness of the reporting and action not being adequately assessed.
It also found that there was no consolidated or centrally held information within the BBC on concerns raised with the broadcaster resulting in issues being addressed as a first offence.
Whilst Banijay UK will not be providing further detail on the individual allegations, the number of sustained allegations make Gregg Wallace’s return to MasterChef untenable.
Details around the two substantiated complaints regarding other individuals have been referred to Banijay UK who are reviewing and will address appropriately.
Patrick Holland, CEO Banijay UK said: “I’d like to thank Lewis Silkin for a thorough and detailed report which is the culmination of 7 months of extensive interviews and analysis. It provides much needed clarity on issues spanning almost 20 years. Whilst it makes for uncomfortable reading, highlighting failures in legacy reporting and HR procedures, it also provides valuable insight to ensure that going forward everyone working on our productions feels safe and supported, and that inappropriate behaviour is quickly and professionally dealt with.
Ways of reporting concerns whilst working on our productions, protocols around behaviour and training for both cast and crew, have improved exponentially in recent years and I’m encouraged that this is acknowledged in the report. We constantly review welfare procedures across our productions to ensure that they are as robust as they can be. Banijay Entertainment already has a confidential speak up line for those wishing to raise issues, however we will be rolling out an additional externally run whistle blowing service across all our productions with immediate effect. This will not only provide additional external routes to raise issues or concerns but will also provide independent support and advice to cast and crew.
In earlier years, specifically prior to 2016 where the vast majority of these issues arose, it is clear that escalation procedures were not as robust as they should have been, and awareness of policies and procedures were lacking particularly amongst freelance staff. The report also highlights a reluctance by production staff to raise issues or concerns, contributing to an underreporting at that time. As a business, and as an industry reliant on freelance roles, we need to continually address how we create environments where people feel safe and supported so issues can be addressed. Banijay UK fully supports the BBC’s recently announced Respect at Work guidance.
Whilst acknowledging Mr Wallace’s autism diagnosis, which is relevant to certain behaviours identified in the report and accepting that the production could have done more to identify, manage and communicate patterns of inappropriate behaviour, the volume and consistency of substantiated allegations, ranging between 2005 and 2024, make Gregg Wallace’s return to MasterChef untenable.
We are extremely sorry to anyone who has been impacted by this behaviour and felt unable to speak up at the time or that their complaint was not adequately addressed.
MasterChef is a much-loved show which year in, year out, changes the lives and careers of contestants, amateur and professional alike. It’s made by a brilliant team of outstanding professionals, and we look forward to bringing more exceptional cooking to screens in the coming months and years.”
Notes to Editors:
MasterChef is produced by Shine TV, part of Banijay UK
Endemol and Shine merged in 2016
Banijay Entertainment acquired Endemol Shine in 2020
Duty of care and safeguarding protocols on our productions have been significantly enhanced and honed over the years with notable enhancements made in 2016 and 2020. Support measures across all our productions include:
Access to confidential advice and support via a third-party Employee Assistance Programme widely advertised to staff.
Production startup meetings attended by an HR and Legal representative where expectations of behaviour, escalation and whistleblowing policies are shared and promoted.
HR contact details on call sheets.
Information on how to raise concerns provided at multiple points via start up meetings, posters and training sessions.
Banijay Entertainment confidential Speak Up line and website where people can (anonymously) report issues and concerns.
A Safeguarding Rep appointed on all Banijay UK productions, and access to a confidential representative to support individuals should they wish in any reporting matters.
Mandatory respect at work training.
All staff, including freelancers, are asked to undertake training around anti bullying and harassment, inclusion.
All productions use and promote the Film and TV Charity’s ‘Whole Picture Programme toolkit’ which provides tools and resources to support mental health. The charity’s help and support line is also promoted on productions.
HR guidance for line managers and Heads of Department.
Banijay Entertainment Code of Conduct promoted globally.
Gregg Wallace was a presenter on MasterChef between 2005 and 2024. He was a judge and presenter across all three series – MasterChef,MasterChef: The Professionals and Celebrity MasterChef.
During this time, he came into contact with over 2500 contestants.
Gregg Wallace was also a presenter on RDF (part of Banijay UK) produced show Eat Well for Less in 2019.
Gregg Wallace was employed on a series-by-series contract by the individual production companies within Banijay UK – Shine TV and RDF.
MasterChef is currently in production with series 18 of MasterChef: The Professionals. Series 22 of MasterChef goes into production in the autumn. Celebrity MasterChef series 20 was recorded earlier this year. Series 21 of MasterChef has been delivered to the BBC.
Production moved to Birmingham from London in Autumn 2024 bringing 130 new roles and making 65 hours of primetime TV from the city.
BBC and Shine announced a multi series, 6-year deal for MasterChef in 2022.
Comments Off on Grantchester returns to ITV, STV, ITVX and STV Player for an eleventh and final series
ITV has confirmed that Grantchester is to return for an eleventh series. With filming beginning this month, it has also been confirmed that this will be the final series as it comes to an end after 11 years.
The Kudos (part of Banijay UK) and MASTERPIECE produced series was first broadcast in 2014 on ITV in the U.K. and 2015 on MASTERPIECE on PBS.
In the forthcoming series, Robson Green returns as Geordie with Rishi Nair as Alphy, Al Weaver as Leonard Finch, Tessa Peake-Jones as Mrs. C, Kacey Ainsworth as Cathy Keating, Oliver Dimsdale as Daniel Marlowe, Nick Brimble as Jack Chapman, Bradley Hall as DC Larry Peters and Melissa Johns as Miss Scott.
Daisy Coulam, writer, series creator and executive producer, said:
“At its heart, Grantchester is a show about the power of friendship and love. We’ve been so lucky over the last 11 series to experience that on and off screen. For over a decade now – cast and crew (many who’ve been there since the beginning) have met each Summer to film. And it’s been an absolute joy. Thank you to James Runcie for entrusting us with his characters. Thank you to the lovely people of real Grantchester. Thank you to everyone who’s been a part of the show in any way – big or small. I’ll miss you terribly.”
Emma Kingsman-Lloyd, Executive Producer for Kudos, said:
“We are absolutely delighted to be returning for another series of Grantchester adventures. After eleven incredible series, and the most wonderful experiences with a fantastic cast and crew, we have decided to bid a very fond farewell to our favourite crime fighting duo. Audiences are in for the most ambitious and thrilling series yet – Geordie and Alphy are going out with a bang!”
Susanne Simpson, MASTERPIECE Head of Scripted Content and Executive Producer, added:
“Grantchester has been one of the rare series that has a certain magic to everything about it. The show has found its way into the hearts of countless MASTERPIECE viewers with its warmth, humor, and sense of community. It has been a joy to work with the brilliant team – producers, writer, cast and crew – behind Grantchester and I cannot thank them enough for their talent and dedication. We are so proud to have been a part of this extraordinary partnership for so long”
Robson Green, added:
“From the very beginning, I have had the incredible fortune to be part of this extraordinary team of talented, passionate, and dedicated individuals who have become more than colleagues. They have become family. I have made friendships forged through shared laughter, challenges, and triumphs. The bonds we’ve formed extend far beyond the camera lens, and I know that they will endure long after the final scene within the Grantchester world has been filmed.Thank you to everyone who has been part of this incredible journey. Emma Kingsman Lloyd and Daisy Coulam….from that very first day you gave me the extraordinary opportunity to be part of this experience It has been an honour to share in the magic of Grantchester, and I am forever grateful for the memories, the friendships, and the love that this journey has given me.I hope I made you proud.”
Rishi Nair, commented:
“It’s been the greatest honour to step into the world of Grantchester and be part of a show with so much heart. Over two seasons—and now as we begin filming our third—I’ve had the privilege of telling stories that mean so much to so many, and I’m deeply thankful for that. As we begin filming this final chapter, I do so with a full heart and endless gratitude—for the memories, the friendships, and the incredible journey we’ve shared. To the entire cast and crew—thank you for your unwavering support, love, and warmth that you all bring onto set every day. Working alongside you all, and more importantly getting to know you, has been a true privilege and joy.”
Polly Hill, Director of Drama and Callum Dziedzic, Drama Commissioner at ITV said:
“It’s rare to create a series with such enduring warmth, wit, and heart, as Daisy, Emma, and the brilliant team have done with Grantchester. No one could have played Geordie quite like Robson and alongside Rishi, Al, Tessa, Kacey, and the rest of this wonderful cast and crew, they’ve built something beloved and beautiful. This final series marks the end of a golden chapter for ITV drama, and we know audiences will treasure this last summer in Grantchester as much as we will.”
It’s the heady Summer of ’63, and Alphy is learning more about his past. He comes to realize that there is a whole other life he could have led, making him question who he is and what he believes in. He’s also continuing to get to know Meg, the Bishop’s daughter…
Geordie, for once, is positively brimming with bonhomie! He’s learned to weather the storms of life and is enjoying a time of relative peace. Cathy’s happy now that CeCe’s Fashion Boutique is a success, and the kids are old enough to look after themselves! But then, out of the blue, the Chief Superintendent comes to Geordie with a beguiling offer. It could be a chance for Geordie to finally be in charge, but it could also mean an end of his crime solving days. And his crime solving partnership with Alphy…
During a quiet period at the halfway house, Leonard finds himself with time on his hands, and a chance to take stock of his own life and whether he’s doing enough with it. When one of Daniel’s neighbours becomes ill, Leonard is drawn into helping care for the neighbour’s son Raymond – and discovers a paternal side to himself he never knew he had.
In Series 11 everyone will question the paths they are on, and some huge decisions will be made. This season will look at family, forgiveness, identity, and faith – big changes are coming to Grantchester…
The final series will be executive produced for Kudos (part of Banijay UK) by Emma Kingsman-Lloyd (SAS Rogue Heroes, Deadwater Fell), writer and series creator Daisy Coulam (Deadwater Fell, Humans) Robson Green and Rishi Nair. The Executive Producers for MASTERPIECE are Susanne Simpson and Rebecca Eaton at GBH Boston. ITV Drama commissioner Callum Dziedzic is responsible for the production of Grantchester on behalf of ITV1 and ITVX.
Adapted from the Grantchester Mysteries novels by James Runcie, the series was developed for television by Daisy Coulam. Writers for Season 11 include Daisy Coulam, Richard Cookson, Nessah Muthy and Maya Sondhi. The directors are Rob Evans and Chloe Thomas. The producer is Dan Kay.
Banijay Rights will be responsible for international distribution.
Comments Off on Let’s Play Ball: New comedic reality format in development by ‘Last One Laughing UK’ producers Initial and Zeppotron
Following the success of hit Prime Video series Last One Laughing UK, Banijay UK labels Initial and Zeppotron are collaborating again to take to market the next big comedic reality format – Let’s Play Ball. Originally co-developed by Banijay Benelux label EndemolShine Nederland, Talpa Studios and Signal.Stream, and co-produced by EndemolShine Nederland and Signal.Stream for SBS6, this is the first international territory to take on a reimagination.
In this version ofLet’s Play Ball, two rival teams of comedians go head-to-head in a race to transport a gigantic ball across various terrains. Facing fiendish physical puzzles along the way, each episode will see the teams navigate varied landscapes; from narrow city streets to rivers and countryside meadows. What begins as a seemingly straightforward task, unravels into comedic chaos and strategic gameplay, demanding quick-thinking, teamwork, grit and determination.
Katy Manley, MD of Initial, said:
“This hilarious new show is the perfect next joint project for us. Initial brings the big red balls (we also make Wipeout), while Zeppotron will unlock its legendary black book to cast the funniest people in the country…. We can’t wait to take this out to buyers in the UK.”
Peter Holmes, MD of Zeppotron, added:
“Like the Zeppotron team, Let’s Play Ball is very simple and very silly. We’re really looking forward to joining forces with Initial once more to put our own spin on this big, bold, ball-based format.”
Let’s Play Ball is an original format co-developed and co-owned by EndemolShine Nederland, Talpa Studios, and Signal.Stream. The show will make its international debut in the Netherlands this summer, co-produced by EndemolShine Nederland and Signal.Stream. Originally piloted on YouTube via StukTV, the show attracted over 1.2 million views. Banijay Entertainment holds global format distribution rights.
Comments Off on Do you understand your children’s digital lives? Channel 4 and Tesco Mobile connect to improve families’ understanding with The Great British Phone Switch
Do you understand your children’s digital lives? Channel 4 and Tesco Mobile connect to improve families’ understanding with The Great British Phone Switch
Channel 4 today announces it has partnered with Tesco Mobile on new branded entertainment series, The Great British Phone Switch. This pioneering lifestyle experiment is designed to bring families closer as they navigate the transition from teens into adulthood.
According to a 2025 Ofcom report, by the age of 11, 91% of children own their own mobile phone[1], but how much do we understand about their digital lives?
This branded entertainment series, sees parents/guardians and their children swap digital lives for 48 hours. Presented by Anna Williamson and under the expert guidance of both Anna (professional life coach, author, and podcaster), and Dr Martha Deiros Collado (Clinical Psychologist), they will step into each other’s virtual worlds, but how will the adults get on with scrolling social media apps for hours? And will the children be okay with fewer ways to connect with their friends?
Produced by Electric Robin (part of Banijay UK), full episodes of The Great British Phone Switch (w/t) will be available to stream on Channel 4 and YouTube. Series highlights will be shared on Channel 4’s Instagram, Facebook and TikTok from the 19th June. The partnership, brokered and led by EssenceMediacom, ensured the content was strategically aligned with Tesco Mobile’s brand values and delivered across platforms that resonate with modern family audiences.
Rupinder Downie, Content Solutions Leader at Channel 4 said: “Working with Tesco Mobile to bring this branded entertainment series to life has been exciting. Not only is it incredibly relevant but also with teenage children myself The Great British Phone Switch really resonated with me. Here at Channel 4 Sales, we aim to tap into the zeitgeist, and delve into brands KPIs to provide branded content that engages, entertains, and educates viewers.”
Thomas Pullen, Digital Commissioning Executive at Channel 4 said: “With great hosts and experts in Anna Williamson and Dr Martha, we hope The Great British Phone Switch will be an enlightening series for those navigating the central role phones now play in many young people’s lives.”
Chris Jones, Creative Director at Electric Robin, added: “In exploring everything from online safety and AI to working remotely and creating content, The Great British PhoneSwitch highlights the crucial role that honest family dialogue plays in bridging the generational digital divide. Producing the show and witnessing each family’s journey has been an enriching experience, demonstrating the creative potential of branded entertainment to spark conversation and drive social impact.”
Laura Joseph, Chief Customer Officer at Tesco Mobile said: “Online safety is a responsibility we take seriously here at Tesco Mobile. We’re committed to helping families thrive and stay safe in today’s digital world, and this exciting social experiment is a powerful way to bring this mission to life. By encouraging children and parents to switch digital habits, we’re opening the door to meaningful conversations at home and better understandings of each other’s lives. Through our ongoing partnership with Internet Matters, we’re proud to champion safer, smarter online experiences for every family.”
Nicola Evans, Tesco Mobile Planning Lead at Essence Mediacomsaid: “With The Great British Phone Switch, we wanted to create a piece of branded entertainment that didn’t just reflect Tesco Mobile’s brand values, but also tapped into a real cultural tension – the disconnect between parents and teens in a digital-first world. By bringing together the right partners and crafting a concept rooted in insight, we’ve developed a format that’s entertaining, meaningful and purpose driven. It’s a brilliant example of how brands can show up in culture in a way that feels authentic and impactful.”
This latest deal further strengthens Channel 4 Sales’ impressive, branded entertainment slate which includes Undercover Education with DfE’s Teach in Further Education campaign, Coast to Coast: The Scenic Route with Tourism Irelandand More Than a Run Club with Voltarol.
Comments Off on Initial and Znak TV to make 99 To Beat for FOX
FOX has unveiled its content slate for the 2025-2026 television season during its Upfront Presentation, including a US version of 99 To Beat produced by Banijay UK labels Initial and Znak TV.
In 99 to Beat, hosted by Ken Jeong and Erin Andrews, 100 contestants go head-to-head in a range of visually distinctive and hilarious games in an arced competition game show like we’ve never seen before. 99 to Beat is the game show that anyone can win, and there’s only one thing players must do for a chance of walking away with the cash prize – Don’t. Come. In. Last.
As contestants battle it out against each other, each round will see the number of players whittled down until one person is left standing and they take home the top prize of $100,000.
99 to Beat is produced by Initial and Znak TV, with Natalka Znak, Claire O’Donohoe, Katy Manley and Lee Smithurst executive producing.
The series is based on a format originated by VRT and De Chinezen and is distributed by Primitives.